Max the Movie Guy added 1 item to Films I've seen on celluloid in the digital era list
FORMAT: 35mm
CONDITION: ★★★★½
NOTES: I’ve wanted to see this at the cinema for almost a whole decade. Last screened at the Barbican on what could have been Tezuka’s birthday in 2008, and screened again as part of Barbican’s Anime’s Human Machines season with the Life Rewired short Divided We Scroll and an intro review. The changeovers are inconvenient and only the scene where Pero confronts Atlas is anywhere close to ruined, but the rest of the print is as great as it could be. Also includes the TriStar logo, which in home media is replaced with Destination and a bunch of Japanese home video logos.
DATE: September 29th 2019
CINEMA: Barbican Centre
LOCATION: Barbican
5 years, 4 months ago
Max the Movie Guy added 1 item to My trips to the cinema 2019 list
SCREENING: 35mm, Anime’s Human Machines
DATE: September 29th
CINEMA: Barbican Centre
LOCATION: Barbican
SHORTS: Divided We Scroll (★★★★)
5 years, 4 months ago
Max the Movie Guy added 1 item to Films I've seen on celluloid in the digital era list
FORMAT: 35mm
CONDITION: ★★
NOTES: There is little wrong with the projection up until the fifth reel besides muted colour, but still a lot of issues with this print. The singing in three of the musical numbers including the weasels’ was half as loud as the music and some frames were misplaced/sliced. The changeover to the third reel slightly distorted John Cleese’s speech with cuts and stutters. The fourth reel got off to a disastrous start, as the border was off position, leaving a thick black line down the middle of the screen. This only lasted one shot, and when the projectionist saw this they took the border off, so for a few minutes the film was projected from its top two thirds and the rest was on the floor. This was fixed in time for the train chase to commence when the projectionist put the border into its correct position and angled the print where it should be. However, the scene in which Rat and Mole are booted out was shaky, and the problem returned when the Nazi weasels were first seen getting wasted in Toad Hall right up to the very start of the credits.
DATE: September 29th 2019
CINEMA: BFI
LOCATION: Southbank
5 years, 4 months ago
Max the Movie Guy added 1 item to My trips to the cinema 2019 list
5 years, 4 months ago
Max the Movie Guy added 1 item to Films I've seen on celluloid in the digital era list
FORMAT: 35mm
CONDITION: ★★★★
NOTES: Took this print about ten-ish minutes to get good regardless of the changeovers. Several frames were sliced, but nothing that would taint the soundtrack. Changeovers were messy, and the print got really scratchy as it reached the end of the credits, but those did not matter either.
DATE: September 28th 2019
CINEMA: The Prince Charles Cinema
LOCATION: London
5 years, 4 months ago
Max the Movie Guy added 1 item to My trips to the cinema 2019 list
5 years, 4 months ago
5 years, 4 months ago
Max the Movie Guy added 1 item to My trips to the home list
5 years, 4 months ago
Max the Movie Guy added 1 item to My trips to the home list
5 years, 4 months ago
Max the Movie Guy added 1 item to My trips to the cinema 2019 list
5 years, 4 months ago
5 years, 4 months ago
Max the Movie Guy added 1 item to My trips to the theatre list
5 years, 4 months ago
5 years, 4 months ago
Max the Movie Guy added 1 item to My trips to the cinema 2019 list
SCREENING: Skype Q&A (Josephine Mackerras), Raindance Film Festival
DATE: September 25th
CINEMA: Vue
LOCATION: Piccadilly
5 years, 4 months ago
Max the Movie Guy added 1 item to Films I've seen on celluloid in the digital era list
FORMAT: 35mm
CONDITION: ★★★★
NOTES: This print was discovered at the last minute. It’s grainy and dirty in a way that feels perfect for the film, the metaphors especially, and having not seen the film in so many years it was occasionally hard for me to tell towards the beginning if there was a blotch of dirt or just another one of Edward Norton’s subliminal hallucinations of Tyler. The “cigarette burn” cues were messy enough for the audience to have an idea, and the scene where Tyler robs a newsagent was tampered with by a very visible frame cut and several consecutively damaged frames. A flaw that is completely inexcusable, however, is that some of the subliminal cocks have been cut out including the last one.
DATE: September 23rd 2019
CINEMA: The Prince Charles Cinema
LOCATION: London
5 years, 4 months ago
Max the Movie Guy added 1 item to My trips to the cinema 2019 list
5 years, 4 months ago
Max the Movie Guy added 1 item to My trips to the cinema 2019 list
5 years, 4 months ago
Max the Movie Guy added 1 item to Films I've seen on celluloid in the digital era list
FORMAT: 35mm
CONDITION: ★★★½
NOTES: Clean in most parts, damaged in others, particularly during the changeovers. The frame cuts do little harm to the dialogue except when the Monstars bully Tweety. The damage when MJ is first seen at baseball is quite brutal for several seconds; although if I remember correctly, a few frames were either severely scratched or written on.
DATE: September 21st 2019
CINEMA: The Prince Charles Cinema
LOCATION: London
5 years, 4 months ago
Max the Movie Guy added 1 item to My trips to the cinema 2019 list
5 years, 4 months ago